ix years ago, Melbourne based film maker Kristina Kraskov read an article about an international Microsoft Excel competition and had two thoughts. The first: “What the hell, that cant be real.” The second: “Theres got to be a film about this – I want to watch it so badly.” There wasnt a film about competitive spreadsheeting, so Kraskov decided to make it herself. The subject appealed to the director, whose work captures “different inner worlds that are a bit unusual on the outside”, including
